{"id":869,"date":"2023-06-15T18:00:48","date_gmt":"2023-06-15T16:00:48","guid":{"rendered":"https:\/\/www.ninahaab.ch\/presse\/"},"modified":"2023-11-10T10:55:20","modified_gmt":"2023-11-10T08:55:20","slug":"presse","status":"publish","type":"page","link":"https:\/\/www.ninahaab.ch\/fr\/presse\/","title":{"rendered":"Presse"},"content":{"rendered":"

[vc_row row_height_percent=\u00a0\u00bb0″ override_padding=\u00a0\u00bbyes\u00a0\u00bb h_padding=\u00a0\u00bb2″ top_padding=\u00a0\u00bb2″ bottom_padding=\u00a0\u00bb2″ overlay_alpha=\u00a0\u00bb0″ equal_height=\u00a0\u00bbyes\u00a0\u00bb gutter_size=\u00a0\u00bb4″ column_width_percent=\u00a0\u00bb100″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ bottom_divider=\u00a0\u00bbgradient\u00a0\u00bb el_class=\u00a0\u00bbrow-letaral section-lateral row-horizontal-display overflow-hidden shape-bg additions\u00a0\u00bb uncode_shortcode_id=\u00a0\u00bb180849″][vc_column column_width_use_pixel=\u00a0\u00bbyes\u00a0\u00bb gutter_size=\u00a0\u00bb2″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb1\/2″ uncode_shortcode_id=\u00a0\u00bb956214″][vc_row_inner row_inner_height_percent=\u00a0\u00bb0″ overlay_alpha=\u00a0\u00bb50″ gutter_size=\u00a0\u00bb1″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ limit_content=\u00a0\u00bb\u00a0\u00bb uncode_shortcode_id=\u00a0\u00bb203081″ el_class=\u00a0\u00bbligneCV\u00a0\u00bb][vc_column_inner column_width_percent=\u00a0\u00bb100″ gutter_size=\u00a0\u00bb4″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb1\/6″ uncode_shortcode_id=\u00a0\u00bb216221″][vc_column_text uncode_shortcode_id=\u00a0\u00bb117612″]2023<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=\u00a0\u00bb100″ gutter_size=\u00a0\u00bb4″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb5\/6″ uncode_shortcode_id=\u00a0\u00bb128910″][vc_column_text uncode_shortcode_id=\u00a0\u00bb805725″]Gardiens du silence, catalogue, Mus\u00e9e Jenisch Vevey, Ed. Scheidegger & Spiess (CH)[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=\u00a0\u00bb0″ overlay_alpha=\u00a0\u00bb50″ gutter_size=\u00a0\u00bb1″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ limit_content=\u00a0\u00bb\u00a0\u00bb uncode_shortcode_id=\u00a0\u00bb180049″ el_class=\u00a0\u00bbligneCV\u00a0\u00bb][vc_column_inner column_width_percent=\u00a0\u00bb100″ gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb1\/6″ uncode_shortcode_id=\u00a0\u00bb739015″][vc_column_text uncode_shortcode_id=\u00a0\u00bb349088″]2022<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=\u00a0\u00bb100″ gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb5\/6″ uncode_shortcode_id=\u00a0\u00bb545896″][vc_column_text uncode_shortcode_id=\u00a0\u00bb130967″]Nina Haab – Vite al limite, publication de Regaida Comensoli, Kunstbulletin, Zurich (12\/22) (CH)<\/p>\n

Le FMAC peut enfin montrer ses collections, publication de Etienne Dumont, bilan.ch (07\/10\/2022)<\/p>\n

Collection d\u2019art contemporain – Ville de Gen\u00e8ve – Acquisitions 2021, catalogue, FMAC, Gen\u00e8ve (CH)<\/p>\n

Les laur\u00e9at.e.s du Prix AICA France de la Critique d\u2019Art 2021, avec un texte de Elisa Rusca, publication Le Quotidien de l\u2019art (FR)<\/p>\n

La Charge, catalogue cur. Andreas Hochuli, Circuit, Lausanne (CH)[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=\u00a0\u00bb0″ overlay_alpha=\u00a0\u00bb50″ gutter_size=\u00a0\u00bb1″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ limit_content=\u00a0\u00bb\u00a0\u00bb uncode_shortcode_id=\u00a0\u00bb180049″ el_class=\u00a0\u00bbligneCV\u00a0\u00bb][vc_column_inner column_width_percent=\u00a0\u00bb100″ gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb1\/6″ uncode_shortcode_id=\u00a0\u00bb739015″][vc_column_text uncode_shortcode_id=\u00a0\u00bb772224″]2021<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=\u00a0\u00bb100″ gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb5\/6″ uncode_shortcode_id=\u00a0\u00bb545896″][vc_column_text uncode_shortcode_id=\u00a0\u00bb713225″]A dessin 6, catalogue, Chapelle du quartier haut, S\u00e8te (FR)<\/p>\n

Wiktor Dyndo – Nina Haab : Post-History, catalogue, Szydlowski gallery, Varsovie (PL)<\/p>\n

Une douce folie devant les fourneaux, publication de Fedele Mendicino, Tribune de Gen\u00e8ve (7\/7) (CH)[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=\u00a0\u00bb0″ overlay_alpha=\u00a0\u00bb50″ gutter_size=\u00a0\u00bb1″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ limit_content=\u00a0\u00bb\u00a0\u00bb uncode_shortcode_id=\u00a0\u00bb180049″ el_class=\u00a0\u00bbligneCV\u00a0\u00bb][vc_column_inner column_width_percent=\u00a0\u00bb100″ gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb1\/6″ uncode_shortcode_id=\u00a0\u00bb739015″][vc_column_text uncode_shortcode_id=\u00a0\u00bb121396″]2020<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=\u00a0\u00bb100″ gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb5\/6″ uncode_shortcode_id=\u00a0\u00bb545896″][vc_column_text uncode_shortcode_id=\u00a0\u00bb109917″]Swiss Art Awards 2020, catalogue, Office f\u00e9d\u00e9ral de la culture suisse (CH)<\/p>\n

Artissima Unplugged – Le fiere d\u2019arte ai tempi della pandemia, publication de Elisa Rusca, Kunstbulletin, Zurich (12\/20) (CH)<\/p>\n

Il molteplice ridiventa uno, catalogue cur. Elisa Rusca et Anselmo Villata, Ed. VERSO L\u2019ARTE – Roma (IT)[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=\u00a0\u00bb0″ overlay_alpha=\u00a0\u00bb50″ gutter_size=\u00a0\u00bb1″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ limit_content=\u00a0\u00bb\u00a0\u00bb uncode_shortcode_id=\u00a0\u00bb180049″ el_class=\u00a0\u00bbligneCV\u00a0\u00bb][vc_column_inner column_width_percent=\u00a0\u00bb100″ gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb1\/6″ uncode_shortcode_id=\u00a0\u00bb739015″][vc_column_text uncode_shortcode_id=\u00a0\u00bb539776″]2019<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=\u00a0\u00bb100″ gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb5\/6″ uncode_shortcode_id=\u00a0\u00bb545896″][vc_column_text uncode_shortcode_id=\u00a0\u00bb525889″]Prix Mobili\u00e8re, catalogue, Artgen\u00e8ve, Gen\u00e8ve (CH)<\/p>\n

BIG PAINTINGS. Portraits, Still lifes, Landscapes., catalogue, galerie Fran\u00e7ois Fontaine, Satigny (CH)[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=\u00a0\u00bb0″ overlay_alpha=\u00a0\u00bb50″ gutter_size=\u00a0\u00bb1″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ limit_content=\u00a0\u00bb\u00a0\u00bb uncode_shortcode_id=\u00a0\u00bb180049″ el_class=\u00a0\u00bbligneCV\u00a0\u00bb][vc_column_inner column_width_percent=\u00a0\u00bb100″ gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb1\/6″ uncode_shortcode_id=\u00a0\u00bb739015″][vc_column_text uncode_shortcode_id=\u00a0\u00bb913640″]2018<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=\u00a0\u00bb100″ gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb5\/6″ uncode_shortcode_id=\u00a0\u00bb545896″][vc_column_text uncode_shortcode_id=\u00a0\u00bb591705″]Nina Haab: Frammenti di memoria, publication de Laura Giudici, Kunstbulletin, Zurich (6\/18) (CH)<\/p>\n

From cities to us. Proprio l\u00ec, nella buca delle lettere, \u00e9dition, cur. Carolina Sanchez, Spazio Lampo, Chiasso (CH)<\/p>\n

Amnesie Nina Haab, catalogue, cur. Elisa Rusca, Fondazione Archivio Fotografico Roberto Donetta, Corzoneso (CH)[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=\u00a0\u00bb0″ overlay_alpha=\u00a0\u00bb50″ gutter_size=\u00a0\u00bb1″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ limit_content=\u00a0\u00bb\u00a0\u00bb uncode_shortcode_id=\u00a0\u00bb180049″ el_class=\u00a0\u00bbligneCV\u00a0\u00bb][vc_column_inner column_width_percent=\u00a0\u00bb100″ gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb1\/6″ uncode_shortcode_id=\u00a0\u00bb739015″][vc_column_text uncode_shortcode_id=\u00a0\u00bb374807″]2017<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=\u00a0\u00bb100″ gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb5\/6″ uncode_shortcode_id=\u00a0\u00bb545896″][vc_column_text uncode_shortcode_id=\u00a0\u00bb145163″]Schena da vedro – Arte di confine, publication de Regaida Comensoli, Kunstbulletin, Zurich (9) (CH)<\/p>\n

2016 DISKURS Berlin Jahreskatalogs, Diskurs, Berlin (DE)[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=\u00a0\u00bb0″ overlay_alpha=\u00a0\u00bb50″ gutter_size=\u00a0\u00bb1″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ limit_content=\u00a0\u00bb\u00a0\u00bb uncode_shortcode_id=\u00a0\u00bb180049″ el_class=\u00a0\u00bbligneCV\u00a0\u00bb][vc_column_inner column_width_percent=\u00a0\u00bb100″ gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb1\/6″ uncode_shortcode_id=\u00a0\u00bb739015″][vc_column_text uncode_shortcode_id=\u00a0\u00bb475870″]2016<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=\u00a0\u00bb100″ gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb5\/6″ uncode_shortcode_id=\u00a0\u00bb545896″][vc_column_text uncode_shortcode_id=\u00a0\u00bb862371″]Acquisitions et dons en contrepartie 2016, catalogue, FMAC – Gen\u00e8ve (CH)<\/p>\n

Swiss Art Awards 2016, catalogue, Office f\u00e9d\u00e9ral de la culture suisse (CH)<\/p>\n

Che c\u2019\u00e8 di nuovo?, catalogue, cur. Elio Schenini, MASI, Lugano (CH)<\/p>\n

Nina Haab: Ohne Erinnerungen haben wir keine Vergangenheit, publication de Lena Lammers, EDITION F, (16\/2) (DE)[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=\u00a0\u00bb0″ overlay_alpha=\u00a0\u00bb50″ gutter_size=\u00a0\u00bb1″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ limit_content=\u00a0\u00bb\u00a0\u00bb uncode_shortcode_id=\u00a0\u00bb180049″ el_class=\u00a0\u00bbligneCV\u00a0\u00bb][vc_column_inner column_width_percent=\u00a0\u00bb100″ gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb1\/6″ uncode_shortcode_id=\u00a0\u00bb739015″][vc_column_text uncode_shortcode_id=\u00a0\u00bb123791″]2015<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=\u00a0\u00bb100″ gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb5\/6″ uncode_shortcode_id=\u00a0\u00bb545896″][vc_column_text uncode_shortcode_id=\u00a0\u00bb172603″]Sviluppo-Parallelo, catalogue, cur. Noah Stolz, Stella Maris, Kunstmuseum Lucerne (CH)<\/p>\n

M\u00f4tiers 2015 – Art en plein air, catalogue, Office f\u00e9d\u00e9ral de la culture suisse (CH)[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=\u00a0\u00bb0″ overlay_alpha=\u00a0\u00bb50″ gutter_size=\u00a0\u00bb1″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ limit_content=\u00a0\u00bb\u00a0\u00bb uncode_shortcode_id=\u00a0\u00bb180049″ el_class=\u00a0\u00bbligneCV\u00a0\u00bb][vc_column_inner column_width_percent=\u00a0\u00bb100″ gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb1\/6″ uncode_shortcode_id=\u00a0\u00bb739015″][vc_column_text uncode_shortcode_id=\u00a0\u00bb137996″]2014<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=\u00a0\u00bb100″ gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb5\/6″ uncode_shortcode_id=\u00a0\u00bb545896″][vc_column_text uncode_shortcode_id=\u00a0\u00bb167030″]Z\u00fcrich : Nina Haab, publication de Dominique von Burg, Kunstbulletin, Zurich, (7\/8) (CH)<\/p>\n

Gesto e pensiero. La libert\u00e0 di donare., catalogue, cur. Francesca Gattoni, Mus\u00e9e Tornielli (IT)<\/p>\n

Ces artistes talentueux habitent pr\u00e8s de chez vous !, publication de Pascal Sauvain, Nouvelles (5\/2) (CH)[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=\u00a0\u00bb0″ overlay_alpha=\u00a0\u00bb50″ gutter_size=\u00a0\u00bb1″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ limit_content=\u00a0\u00bb\u00a0\u00bb uncode_shortcode_id=\u00a0\u00bb180049″ el_class=\u00a0\u00bbligneCV\u00a0\u00bb][vc_column_inner column_width_percent=\u00a0\u00bb100″ gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb1\/6″ uncode_shortcode_id=\u00a0\u00bb739015″][vc_column_text uncode_shortcode_id=\u00a0\u00bb252097″]2013<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=\u00a0\u00bb100″ gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb5\/6″ uncode_shortcode_id=\u00a0\u00bb545896″][vc_column_text uncode_shortcode_id=\u00a0\u00bb133851″]Rencontre avec Nina Haab. L\u2019art, pour parler de la maladie, publication de Laure Gabus, Tribune de Gen\u00e8ve (23\/10) (CH)[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=\u00a0\u00bb0″ overlay_alpha=\u00a0\u00bb50″ gutter_size=\u00a0\u00bb1″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ limit_content=\u00a0\u00bb\u00a0\u00bb uncode_shortcode_id=\u00a0\u00bb180049″ el_class=\u00a0\u00bbligneCV\u00a0\u00bb][vc_column_inner column_width_percent=\u00a0\u00bb100″ gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb1\/6″ uncode_shortcode_id=\u00a0\u00bb739015″][vc_column_text uncode_shortcode_id=\u00a0\u00bb164870″]2012<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=\u00a0\u00bb100″ gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb5\/6″ uncode_shortcode_id=\u00a0\u00bb545896″][vc_column_text uncode_shortcode_id=\u00a0\u00bb354048″]Passages n\u00b059\/2, publication, Pro Helvetia, Zurich (CH)<\/p>\n

V\u00f6gele Kultur Bulletin n\u00b093, catalogue, cur. Alexandra K\u00f6nz, V\u00f6gele Kultur Zentrum, Pf\u00e4ffikon (CH)<\/p>\n

Swiss Art Awards 2012 \/ U.A. Twisted Realism, catalogue, Office f\u00e9d\u00e9ral de la culture suisse (CH)[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=\u00a0\u00bb0″ overlay_alpha=\u00a0\u00bb50″ gutter_size=\u00a0\u00bb1″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ limit_content=\u00a0\u00bb\u00a0\u00bb uncode_shortcode_id=\u00a0\u00bb180049″ el_class=\u00a0\u00bbligneCV\u00a0\u00bb][vc_column_inner column_width_percent=\u00a0\u00bb100″ gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb1\/6″ uncode_shortcode_id=\u00a0\u00bb739015″][vc_column_text uncode_shortcode_id=\u00a0\u00bb927953″]2011<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=\u00a0\u00bb100″ gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb5\/6″ uncode_shortcode_id=\u00a0\u00bb545896″][vc_column_text uncode_shortcode_id=\u00a0\u00bb191045″]Album de famille, publication HEAD – Gen\u00e8ve et la rada (CH)[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row row_height_percent=\u00a0\u00bb0″ override_padding=\u00a0\u00bbyes\u00a0\u00bb h_padding=\u00a0\u00bb2″ top_padding=\u00a0\u00bb2″ bottom_padding=\u00a0\u00bb2″ overlay_alpha=\u00a0\u00bb0″ equal_height=\u00a0\u00bbyes\u00a0\u00bb gutter_size=\u00a0\u00bb4″ column_width_percent=\u00a0\u00bb100″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ bottom_divider=\u00a0\u00bbgradient\u00a0\u00bb el_class=\u00a0\u00bbrow-letaral section-lateral row-horizontal-display overflow-hidden shape-bg additions\u00a0\u00bb uncode_shortcode_id=\u00a0\u00bb180849″][vc_column […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-869","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.ninahaab.ch\/fr\/wp-json\/wp\/v2\/pages\/869","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ninahaab.ch\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ninahaab.ch\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ninahaab.ch\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ninahaab.ch\/fr\/wp-json\/wp\/v2\/comments?post=869"}],"version-history":[{"count":6,"href":"https:\/\/www.ninahaab.ch\/fr\/wp-json\/wp\/v2\/pages\/869\/revisions"}],"predecessor-version":[{"id":969,"href":"https:\/\/www.ninahaab.ch\/fr\/wp-json\/wp\/v2\/pages\/869\/revisions\/969"}],"wp:attachment":[{"href":"https:\/\/www.ninahaab.ch\/fr\/wp-json\/wp\/v2\/media?parent=869"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}