{"id":893,"date":"2016-06-28T15:15:13","date_gmt":"2016-06-28T13:15:13","guid":{"rendered":"https:\/\/www.ninahaab.ch\/portfolio\/the-life-around-a-fake-lake\/"},"modified":"2023-11-04T10:01:13","modified_gmt":"2023-11-04T08:01:13","slug":"the-life-around-a-fake-lake","status":"publish","type":"portfolio","link":"https:\/\/www.ninahaab.ch\/fr\/portfolio\/the-life-around-a-fake-lake\/","title":{"rendered":"The life around a fake lake"},"content":{"rendered":"

2016<\/h4>\n

Installation vid\u00e9o HD, 40\u201930\u2019\u2019<\/strong>
\nCouleur, son. Langue : fran\u00e7ais, sous-titres anglais. <\/strong><\/p>\n

The life around a fake lake<\/em> est un moyen m\u00e9trage qui se compose d\u2019anecdotes de vies autour du chantier de la \u00ab Grande Dixence \u00bb, un barrage situ\u00e9 dans le Canton du Valais, et plus pr\u00e9cis\u00e9ment dans le val des Dix.
\nLe chantier du barrage a dur\u00e9 quinze ans (1951-1966), et il a fait appel \u00e0 3\u2019000 ouvriers provenant de la r\u00e9gion, de l\u2019Italie et d\u2019autres pays. Cette architecture, r\u00e9put\u00e9e \u00e0 niveau international pour son poids massif, a radicalement chang\u00e9 la vall\u00e9e sur le plan sociologique et \u00e9conomique.
\nLa vid\u00e9o offre des points de vus diff\u00e9rents sur le sujet gr\u00e2ce aux t\u00e9moignages de cinq personnes de diff\u00e9rentes g\u00e9n\u00e9rations en contraste avec le paysage d\u2019aujourd\u2019hui. Ce dernier a \u00e9t\u00e9 film\u00e9 durant les diff\u00e9rentes saisons : de l\u2019hiver jusqu\u2019\u00e0 l\u2019\u00e9t\u00e9, de loin jusqu\u2019au c\u0153ur du barrage, et dans les tunnels (32 km ont \u00e9t\u00e9 creus\u00e9 \u00e0 l\u2019int\u00e9rieur du barrage). Une r\u00e9alit\u00e9 l\u00e9g\u00e8rement modifi\u00e9e, o\u00f9 la participation d\u2019une actrice met en doute le t\u00e9moignage entier.<\/p>\n

Texte par Elisa Rusca (historienne de l’art, Berlin)<\/p>\n

Une vid\u00e9o de : Nina Haab
\nImage : Jean-Fran\u00e7ois Vercasson
\nMontage : Nina Haab
\nTraduction : Viviane Morey, Philippe van Essche
\nProduction : Fonds cantonal d\u2019art contemporain, DCS, Gen\u00e8ve
\nParticipants : G\u00e9rard Mayoraz, Gerta Mayoraz, Narcisse Seppey, Gr\u00e9goire Seppey
\nActrice : Jos\u00e9phine Strouba<\/p>\n

https:\/\/vimeo.com\/151774796<\/a>
\nMot de passe : InvestigatingMemory2016<\/p>\n","protected":false},"excerpt":{"rendered":"

2016<\/p>\n","protected":false},"author":2,"featured_media":676,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"portfolio_category":[],"class_list":["post-893","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.ninahaab.ch\/fr\/wp-json\/wp\/v2\/portfolio\/893","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ninahaab.ch\/fr\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/www.ninahaab.ch\/fr\/wp-json\/wp\/v2\/types\/portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.ninahaab.ch\/fr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ninahaab.ch\/fr\/wp-json\/wp\/v2\/comments?post=893"}],"version-history":[{"count":5,"href":"https:\/\/www.ninahaab.ch\/fr\/wp-json\/wp\/v2\/portfolio\/893\/revisions"}],"predecessor-version":[{"id":920,"href":"https:\/\/www.ninahaab.ch\/fr\/wp-json\/wp\/v2\/portfolio\/893\/revisions\/920"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ninahaab.ch\/fr\/wp-json\/wp\/v2\/media\/676"}],"wp:attachment":[{"href":"https:\/\/www.ninahaab.ch\/fr\/wp-json\/wp\/v2\/media?parent=893"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.ninahaab.ch\/fr\/wp-json\/wp\/v2\/portfolio_category?post=893"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}